Here we take a look at the Klezmer repertoire and focus on special techniques, open a world of new colors, techniques and notation.
Let your clarinet sing, cry and celebrate, or try an improvisation.
For performers who are not sure if this Klezmer LAB is the right one, you can always have a lesson with Jaan Bossier, and talk to him, and then you will probably want to have the 5 lessons Pack or even ask us to get a better Pack 🙂
Most frequent questions and answers
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The basic technique, in a sense of controlling your instrument, is universal, whatever music you want to play. Additionally, there are several techniques used only in modern music, which we will all learn and use.
Circular breathing is, as slap tongue, a technique that requires practising different steps. Each step might take days or weeks to cover. So be patient. To really control all aspects, you might have to count several months.
The contemporary repertoire is a field to discover. The twentieth century has brought a wide range of modernism, which we will discover together.
I believe that above all, it is the musician who makes the sound. The condition is that you need good material, but nowadays there exist many good instruments and belongings such as reeds. Once you have that, it is up to you (us) to adapt to that material and get a good sound out of it.
Not in my opinion. There exist mouthpieces with a non-classic sound, but I personally use (good) classical material. I do the rest.
In order to control certain points of technique, it is necessary to use a practice method. According to your personal needs, I give you all possible advice and methods.
Creative minds are very welcome! Please do bring your own interests, so we help you to explore and find your way.
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